Giuseppe Castiglione and Court Art
in Qianlong's Reign of Qing Dynasty
The period of Emperor Qianlong was the most prosperous time
in Qing Dynasty in Chinese history, and the art also came
to its peak, especially those royal gardens, which was called
"Five Royal Gardens" as Yuanming Palace, Changchun
Palace, Qingyi Palace, Jingming Palace, Jingyi Palace, was
very beautiful, and was more than ten times bigger than the
Forbidden City.
At that time, One of the most talented and renowned artists
in China, was Giuseppe Castiglione, a missionary from Italian.
He was born in Milan in 1668, and received systematic and
standard training of painting. As a missionary, he worked
in Genoa, Lisbon and Macao. In 1715, at his 27, Giuseppe Castiglione
was sent to China by European Catholic Church, and then worked
in the imperial court. The Emperor Kangxi was very fond of
Castiglione's oil paintings, and this fact kept him in the
court till the end of his life. Lot of paintings by Castiglione
were based on the true incidents. They have great historical
value nowadays. Castiglione was died in 1766, was buried in
European Missionary Graveyard in Fucheng Men in Beijing.
The talents of Castiglione were revealed in three aspects:
oil paintings ,Chinese water-ink paintings with the techniques
of foreshortened figure and chiaroscuro, new style of a combination
of Chinese brush work and western three-dimensional concept.
In 1723 when Qing Emperor Yongzheng came to the throne, he
ordered Yuanmingyuan(Garden of Gardens) to be built and its
construction lasted over a period of 150 years. Castiglione's
designing in this huge project with his deep understanding
of chinese and western art, revealed on those castles of Rococo
style ,now still can been seen at the remains in Yuanmingyuan.
The original Yuanmingyuan was composed of 145 buildings and
40 scenic spots. It was also home to some of the most valuable
treasures in China.
Most famous architecture in the garden is Haiyan House, with
twelve springs along the staircases. The springs is established
in accordance with the twelve animals in Chinese lunar canlader,
and every spring is headed with an bronze sculpture. In 1860,
the British and French armies stormed the garden, burned down
most of the buildings and took all of the treasures, including
the twelve animal heads. It is said that the heads appeared
in Paris for sale, and then disappeared.
In recent years five of the twelve heads were found, and two
of them, Cow Head and Monkey Head were auctioned last year
in Hong Kong, and reached the final price at more than 15,900,000
HK$. To looking closely at the two heads, you will find the
spirit of the sculpture roots on European Naturalism, and
the detail reveals characteristics of Castiglione's brushwork.
As a painter, most of Castiglione's works are now kept in
Beijing and Taipei. In 2000, the painter's work "Fields
in the Autumn" (see the picture) with Emperor Qianlong's
inscription was auctioned off at the price of 17,645,000 HK$
at Christie Hongkong Spring Auction.
Castiglione's achievements has great effects on Chinese art,
this can been seen on the porcelain of official kilns in Qing
Dynasty. The Paintings on the porcelain, whether in the composition
or one the objects, had much in common with Castiglione's
works.
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