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Synthetic Times – Media Art China 2008 |
INTRO
Duration: June 10, 2008 - July 3, 2008
Venue: National Art Museum of China (NAMOC)
Address: No.1 Wusi Street, Dongcheng District, Beijing
During the 2008 Beijing Olympic Games, the National Art Museum of China will present "SYNTHETIC TIMES – Media Art China 2008" in its current location at the center of Beijing. NAMOC is the only national art museum in China that is dedicated to research, presentation and promotion of modern and contemporary arts. "SYNTHETIC TIMES – Media Art China 2008", scheduled from June 10th to July 3rd, will be one of the most important cultural events leading up to the Olympic Games in Beijing.
The exhibition will occupy approximately 4500 square meters (48000 square feet) of the museum gallery space and an additional outdoor area of ca. 2000 square meters (22000 square feet). The internationally recognized Dutch architecture firm NOX/Lars Spuybroek will architecturally transform the entire first floor of the museum in response to the nature of the works on display. A full-color catalogue will be co-published by NAMOC and the MIT Press to accompany the opening (with international distribution). An online forum dedicated to the discourse of the respective exhibition themes and beyond will be created prior to the opening of the event. A pre-Exhibition symposium will be held in New York City in collaboration with MoMA (Museum of Modern Art) and other major cultural and educational institutions. The forum and the subsequent symposia will be moderated by a group of distinguished scholars and media arts professionals. Selected discussion essays will be included in the catalogue. Meanwhile, a number of satellite exhibition venues have been planed within the greater Beijing art community, engaging prominent galleries of the booming Beijing art scene. In addition, a number of special evening events during the opening days of the Exhibition are conceived to celebrate countries with significant contribution to the development of media art and culture.
Synthetic Times – Media Art China 2008 will showcase both established and emerging artists from approximately thirty countries, and over forty media art installation works will be on view along with performances, workshops, presentations and discussion panels. To complement the theme exhibitions, The Museum of Modern Art (MoMA) will contribute a special screening program consisting of seminal video art works. Ars Electronica is set to present the award winning Animation Festival while European Media Art Festival will bring in an edition of International Emerging Video Art. The Exhibition is envisaged as a landmark event in the history of contemporary Chinese art dedicated to embracing the most innovative artistic production and theorization to date, and aspiring to foster and advance new modes of thinking and novel ways of artistic engagement in an increasingly technologically immersed society and global cultural landscape, resonating with the leitmotifs of "Cultural Olympics" and "Hi-Tech Olympics" put forward by the 2008 Beijing Olympic Games.
Supported by the Chinese government, international cultural foundations as well as embassies from the participating countries, renowned museums and media art institutions worldwide will collaborate with NAMOC to produce the Exhibition and its related events.
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The exhibition is organized around four distinctive yet interrelated themes that testify to the bittersweetness of man's incessant and obsessive pursuit of an ideal world through artistic intervention into media and communications technologies as well as bio-cultural spheres.
Works in the exhibition explore the trajectory of unruly visions from the desire to transcend the corporal to the construction of synthetic worlds, from telematic dreaming to transgenic hybrids, challenging the very notion of what we know as reality and what is perceived as being human. In this laborious yet romantic process, the tension between man and machine, the cooperation and hostility between the physical and the digital, manifest the perpetual struggle in which control and submission, exploitation and anti-manipulation are the rubricated dynamics that insinuate complex human conditions.
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Beyond Body |
"Beyond Body" attempts to delineate the multiple routes of artistic endeavors in extending the physical body, raising questions of subjectivity and the norms of ethical codes. While the wired body donned with electronic prosthetics demonstrates extreme gestures of transgression, the poetic outreach of a distant embraces hallucinatinon and fulfills the aspiration of man's ancient dream. This exhibition component brings to focus the most current conception of cyberspace, transgenic illusion and the bio-electro afterlife, redefining the man-machine symbiosis and other fantastical.
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Last Judgment in Cyberspace |
Miao Xiaochun |
2006-2008 |
China |
Immersive light box installation with 3D projection system |
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Life Support Systems: Vanda |
Matuesz Herczka |
2004 |
Netherlands
/Poland |
Bio-Cultural Sphere |
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Mission Eternity |
Etoy |
2006-ongoing |
International / Switzerland |
standard 20ft shipping container, human mortal remains, concrete, led matrix, linux software |
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Touch Me |
Blendid (Collective) |
2004 |
Netherlands |
Interactive Installation |
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Emotive Digital |
"Emotive Digital" examines the multitudes of digital life, where machines and devices become responsive creatures. Here interactivity is not merely a simple give-and-take calculated procedure, but is imbued with sensitivities that invigorate emotional and reciprocal exchanges, be they humorous, obstinate or hostile. At times, the machines act as perfect companions, amiably comprehensible; at other times, they seem to slide outside of their programmed niceness and accelerate beyond control. They contribute to our perception and understanding of the world in an emotive and tactile way.
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Alexitimia |
Paula Geatano Adi |
2006 |
Argentina |
Autonomous robotic agent |
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Beijing Accelerator |
Marnix de Nijs |
2006 |
Netherlands |
Interactive Installation |
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Living Kitchen |
Stefan Doepner, Jan Cummerow /f18institute |
2006 |
Germany |
kitchen & props, pneumatics, motors, control boards, PC's |
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Sixteen Birds |
Chico MacMurtrie / Amorphic Robot Works |
2006 |
United States |
Robotic Installation |
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The Recombinant Reality |
That reality is ambiguous and a byproduct of retina overload, suggests an inherent estrangement that artists strive to reconcile. A recombinant reality is reality processed and meditated, however indeterminately, beyond the real while possessing tangibility. "The Recombinant Reality" poses questions of epistemological urgency that characterize contemporary experience, in which a Cartesian world view no longer ensures comfort, and syllogistic reasoning finds no suitable dwelling. Heisenberg's principle of indeterminacy and the birth of fuzzy logic laid the foundation for an elusive actuality and make-believe tangibility. The notion of space not only is a pure production, but also a transient fluidity that oscillates between the familiar and the estranged. This exhibition component identifies multiple directions in which mixed reality, virtual reality and acoustic environments reveal new types of reality that reshape our notion of existence.
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Cloud |
Xu Zhongmin |
2008 |
China |
Motorized Installation |
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Name is An Anagram |
Magdalena Pedrin |
2006 |
Croatia |
Simulated Holographic Instllation |
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Waves |
Daniel Palacios Jimenez |
2006 |
Spain |
Kinetic interactive installation |
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Here, There and Everywhere |
The internet has mutated into a pervasive, all-encompassing membrane of connected machines that operate on a planetary scale, from shuffling venture capital to Bluetoothed entertainment, from ubiquitous panopticons to self-regulated chat room jurisdiction. It is the network that bears the sign of the times, it is "Here, There and Everywhere". This section includes works that take the network as a departure of inquiry, into the disputed realms of public and private, control and anti-control, and the quixotic journey of cyber space. It seeks to unveil the underlying mechanism that both facilitates and alienates our senses and sensibilities, raising awareness of the potential peril of the Big Brother future world.
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Eternal Youth |
AL and AL |
2008 |
United Kingdom |
Interactive Installation |
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Newscocoons |
Jeffrey Huang & Muriel Waldvogel (Convergeo) |
2008 |
Switzerland |
Inflatable furniture, various technologies |
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Noplace |
Marek Walczak & Martin Wattenberg with Rory Solomon & Jonathan Feinberg |
2008 |
United Kingdom, United States, Sweden |
Networked Virtual Reality Interactive Environment |
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| TITLE |
ARTIST |
YEAR |
COUNTRY |
MEDIA |
| Pneumatic Sound Field |
Edwin Van der Heide |
2006 |
Netherlands |
Sound Installation |
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Editor: Li Ling |
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