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  • From Edna Andrade to Op Art

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  • Abstract Beauty of Rain Flower Pebbles

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  • Is It Ok to Have Fun in an Art Gallery?

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  • Yanchuan Primary School Papercutting Art Education Project

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  • Beijing's  798  District - The  Arts  Corner

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  • Shenzhen Art Salon -- Contemporary Art Exhibition on QQ (Chatting Tool)


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  • Cai Guo-Qiang on the Roof: Transparent Monument


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  • Art in Shanghai


  • Zhang Qiang - Founder of "Traceology"


  • Chen Wenling and His Sculptures


  • Cultural Heritage around China


  • Review 2005 China Art Auction – Works Selling for More than 10 Million RMB


  • Performance of Han Tao and Ya Liang


  • Action"back to the past"


  • He Yunchang and His Performance


  • Who Is the Last Winner of Art Expositions


  • Where the Chinese Painting Will Go?


  • Ideal and Reality of great discourse of Asian contemporary Art --Sukwon Chang 's Speech on International Seminar for Discussion on Contemporary Asian Art


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  • A Converstion with Ding Fang


  • Subtlety of Chinese painting


  • Chinese Embroidery Paint Beautiful Life


  • A Millennium Reincarnation: The Possibility of Asian Contemporary Visual Art


  • The Post-Mordernism in Chinese Contemporary Sculpture
  •  

                            Chinese Art Is as Hot in the East as It Is in the West

     

     

    Tian Anmen, Zhang Xiaogang

     

    "Tiananmen Square," by Zhang Xiaogang, recently sold for just over US$2.3 million.

    With prices for Chinese contemporary art soaring, Christie's opened its week of art auctions in Hong Kong by realizing a record-breaking US$67.9 million in its sales of Asian contemporary and Chinese 20th-century art.  

    Wealthy buyers from China and other parts of Asia are now jockeying with European and American collectors to buy Chinese works that only five years ago were largely ignored by the international art market.   

    A 1920s work by Xu Beihong, one of China's best-known early-20th-century painters, sold at Christie's on Sunday for US$7 million, a record price for any Chinese painting. Titled "Slave and Lion," it is a Western-style oil painting that depicts a scene from a story set in the Roman Empire.   

    Even more startling were the prices paid for works by living Chinese artists, especially the painters and installation artists who began working in the 1980s, including Wang Guangyi, Zhang Xiaogang, Yue Minjun, Zeng Fanzhi, Cai Guoqiang and Liu Xiaodong. A few years ago their works could be had for US$30,000 or less.  

     
    New Immigrants of Sanxia, Liu Xiaodong
     

    Today there are waiting lists several years long, and the Christie's auction was simply the latest showcase for the bidding wars these artists inspire. "Tiananmen Square," for example, a 1993 work by Zhang Xiaogang, sold for just over US$2.3 million, a record for the artist. Sketched in bright yellow and bluish gray, the painting is empty of human life; yet delicate red lines in the foreground hint at the 1989 Tiananmen Square massacre.   

    Mr. Zhang, 48, who is best known for a series of family portraits set during the Cultural Revolution, is perhaps the most sought-after artist in China. His "Bloodline Series: Comrade No. 120," a smaller work, sold for US$979,200 in March at Sotheby's New York, surprising the auction world.   

    But on Sunday, in addition to his record-setting sale, another work of his sold for US$1.9 million, and two paintings each fetched close to US$1 million. Christie's called the US$2.3 million price for "Tiananmen Square" the highest paid in the international auction market for an oil painting by a living Chinese experimental artist.

     
    Green Dog, Zhou Chunya
     

    But last week at the Beijing Poly Auction, a painting by the Beijing artist Liu Xiaodong sold for more than US$2.7 million. The huge panorama, approximately 32 by 9? feet, titled "Newly Displaced Population" and depicting the Three Gorges Dam construction site, was acquired by a Chinese restaurant owner.   

    The Christie's auction in Hong Kong set records for several other Chinese artists, including Yue Minjun, famous for his portraits of Chinese men, looking very much like himself, in fits of delirious laughter. His "Kites" sold for US$962,000. Zeng Fanzhi's "Mask 1999, No. 3," part of a series of people wearing white masks, sold for a record US$816,400.   

    The growing demand for Chinese contemporary art has contributed to the building boom here and in Beijing, where new art galleries and exhibition spaces open virtually every week. Some in the art world here are beginning to talk about a bubble.   
     

     
    (CRI.com November 29, 2006)                                              Editor: Wu Di
     
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